Baraba-pe SOUND Design
MUSIC poRtfolio
THE masterpieces are scores based on THE abstract - Fiction genre of Baraba-pe's artistic research of NEW HYBRID GENRES and has so far become known through her experimental films, in which scores and acousmatic sounds are so closely interwoven that one might think the sequences are a natural consequence of advanced melodic imagination...
BARBARA Swiss filmmaker and visual artist, runs her own one-man company, Atelier a./f. and produces experimental, poetic and sound film projects that have participated in over 100 film festivals worldwide.
O ombelichi Beat the Palpitations
1000 O 2025 the RACING rythm of the Marimba composition
7:00
GENRE new vision music, electronic contemporary sound, aleatoric/Atonal music
abstract - arythmic
Research on the experimental technical medium a-Rhythm in cinema
music COMPOSITION with dynamics and fluidity
BEAT THE PALPITATIONS 7:00
Beat the Palpitations
“1000” sandblasters contribute to the more poetic sound associated with the vibration of the sea and the earth.. and may be part of the earlier experimental film Waveswaterwall from 2023.
The composition 1000 O “Beat the Palpitations” is inspired by the sound vibrations of a didgeridoo, an aerophone, that produces a sound element with vocal and fundamental frequency effects, and visualizes an emotional “human cosmos”.
October 2024 Baraba-pe performs her marimba composition and transforms it into an electronic tube wave sound.
THE CORMORANT'S SHADOW 2024 looking for AI
Records of bird song and ambient sound, Instruments Drum
Genre New Vision - abstract, Aleatoric/Atonal, arythmic
THE CORMORANT's Shadow
This 1-minute animation is the first in a series of super-short animations that combine perfectly with all types of presentations as they give a relaxed impression of involvement. The animation's interactive relationship with birds illustrates the challenges of environmental adaptation that all species face in life.
WWALL 2023 Monster waves, mixed down to an incredible Rock-Tam-Tam in WAVESWATERWALL
GENRE: New vision music, electronic contemporary sound, aleatoric/atonal music, abstract/arythmic,
Composition for a virtual orchestra of violins, double basses, organs, drums and other virtual instruments mixed up with Foley recordings
The castaway is literally pulverized and laminated by monstrous waves and transformed into a tsunami when he comes into contact with the white hole of the ocean. Poetic verses and voices evoke this traumatic destiny.
with English + Chinese, Spanish, French, German, Italian, Catalan... text embedded + voices
or bilingual Language on request
The Castaway
Memory storage, retrieval and recordings form the testimony of the castaway struggling with his own perception, and sound and images overlap to form poetic words of recollection, in most cases the voice of a melancholy teller, punctuated by pounding waves and distortions of beat and music.
The idea of the mystery and secrets of the oceans could be that the unknown is still amazing and terrifying origins. Large letters over more than 50 verses and lines emphasize the harsh forces or heroic fantasy of the mysterious episodes punctuated by the roaring, rocking waves and orchestral waterfalls; inspired by the poem of " The Castaway from WavesWaterWall"
THE BLATTE BATTLES - Sound Samples directed by PERIPLANETA
In reality, the virtual instruments are 100 % convincing mixing up with all kind of Foley , noise, harmonizing with adequate compressions and limitation without loOsing the main characteristics of the hammering, fingerling stroking... instrumental capacities. .. clip and visual animation
Being magnetized by the staging of the Blatte Battle, a sound rehearsal, the fantasy cockroach desperately tries to keep its colorful body together until the end.
The intention is to reflect on transformation with an artistic focus on loss and suffering, a new kind of robotic animation or a hybrid form of live organisms, but do you have ever heard an insect sing or cry outside of animated films.
Periplaneta's double bass and wood-like body conducts in harmonious rowing movements with the 6 gripping arms: touch, search, feel and pluck... they create improvisation with balancing intervals generated by the middle articulations. Attention was focused on the 3 x 2 paired claw divisions, which could be a mechanical representation for human sound interpretation.
SO_MONT a melancholic backdrop melody
The sound influences the visual and so there is an additional sound filter, a black passe-partout with the function of creating a sound image, a melancholic backdrop melody, through an "air channel". The composition is reminiscent of hand organ movements, the film of a slowly recurring handling of light.
AF_SO_MONT_NB The video clip THE LIGHTHOUSE is performed in a virtual black passe-partout and is surrounded by a suspense sound SO_MONT, a melancholic backdrop melody
SNSHN a glimmering call for SNOWSHINE
inherent composition based on the rhythm and dynamics of the images
SNSHN scores are supposed to be the visual medium of the sculptor of light; the jingles are like the hammering of the sculptor, demonstrating self-confident life affirmation of the narrators and dialogues for a sound pattern: wishes. Ghostly voices of musical instruments contribute to the animation of this experimental project. The steps of the ghosts and the cameramen exclamation from them, as a phantom vision, a fantasy that calls to the screen from off-screen, from where different scenes emerge and can manifest themselves as they were wishes in reverb and echoes from the alien tellers voices.
SNSHN
GENRE Contemporary music, Music set to the rhythm of moving images
MI DI WORM No. 10 Abstract MIDI notes and playful silence
The abstract worms in yellow may have three last attempts to call all together with ironic and exotic whistles and rattling noises. The red background seems to float and disappear in the dark.
The animation of yellow worms and cyan dots on red carpet is created with visual effects of 2-stop motion for a sound pattern. The dots stand out, as they would be a fantastic set of notes, virtually painted to be heard. The flickering, wiggling ramifications of the yellow color animate strokes on red background resembling a stereoscopic recording.
ECLAT ECRAN 2004 Shine/ Screen Compilation
Early work based on the filmography of Abstract fictive Research
Composer Editor Barbara Peikert
Halo 4, 3:48
Color flow pattern
Acousmatic sound
PASSI 2011 , 11:00 Film music of Sol_TIC, with Foley Sound
PASSI , consists entirely of recorded Foley effects and offers a captivating mix of all kinds of sounds and noises that have been harmonized with the help of suitable compressors and limiters, without, however, masking the main characteristics of the hammer, the strike, the noises behind the scenes, the stomping of the doors, and all kinds of sound effects that deceive the visual animation.
CA-lunatic 2011,
Wildlife sound
acousmatic
BLUE-TUONO 2007, 15:00
wildlife sound
acousmatic
ST_TIC_TAC, 2011, 7:00
MINIMALISme sound
Pendulum acceleration
AF EINauger A showdown between abstract color schemes AF One Eye 2026 10:00
AF_Ein::::::::::::äuger 2007 AF_Ein_Auger 2015
10' Hybrid Genre, AI - Animation Research + MinimaIisme Sound , Ambience, acousmatic
It looks as if the flow of color reflecting in the light is completely freaking out
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Baraba-pe, Barbara Peikert, is a filmmaker, composer, light and sound designer, and video artist. She started producing experimental films at French Universities with Master's degrees in visual arts and aesthetics in Paris 1+8 and at the Sapienza in Rome Lighting Design. She founded the abstract-fictive /astrazione-fiction Art&Sound Movement in Paris. and specializing at the CRM Research Center for Music and Sound in Rome Italy and GRM-INA in Paris. Starting from a non-classical musical background at the universities of Paris, she is interested in all predefined rhythms, especially those of cinematic imagery and speed, as well as sound recording with electronic music. The aim of her cinematography is to be experimental and captivate our sensibilities with a 360-degree vision into the future, the past and wherever the imagination takes us. Her aim is to gain a reputation as an expert in the field of experimental films and to continue to fascinate audiences on the big screen. Coming from a non classical musical background at Parisian universities, she is interested in all imposed rhythms, particularly those of visual language and cinematic speed, as well as sound recording. Starting from her goal of achieving a musical effect similar to that of Scriabin's "The Rite of Spring," she has developed her own personal research on the theories of minimalist acousmatic music and all kinds of improvisation. These experimental works of computer composition have been presented at classical music festivals, as well as modern and experimental video art festivals.
Prismis, 7:00
Super 8, contrasting Color flow pattern
Acousmatic sound
HALO 10 Original 21:00 with 7:00 of performing silence
Acousmatic sound, abstract
minimalisme sound
Bleu électrique, 19:07
Super 8 blue color flow, minimalisMe arythmique, performing silence
HALO 10 21:00 2001
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